07/September/2016 – (16:00 hrs)
The Nigerian Pavilion
Giudecca 800/o, Venezia 30133, Italia.
(Theme from ‘Diminished Capacity‘)
Nigerian Pavilion 15th International Architecture Exhibition Venice Biennale 2016
On behalf of the Nigerian Pavilion, you are cordially invited to ‘A Continuous State Of Time‘, an interactive programme of lectures, debates and workshops on the contemporary phenomenon of conflict in architecture and art, in times of socio-cultural transformation.
‘As an integral component of the formation and evolution of a social system, conflict emerges as a significant mechanism that instigates change rather than unanimity. This phenomenon materializes in the form of various vital events such as wars, natural disasters, emigrations, population displacements, birth, death, and choice. These events ultimately become the stimuli and variants in the transformation of societies.
The constitution and composition of a social system involve conflict as a process of modification towards a different future of experience. The evolution in contemporary culture is predominantly forged by conflict or vital events which are instigating new conditions of adaptations and developments. Therefore, conflicts can be understood as a familiar interdependent relationship involving constrains and obligations.
Understanding the conflict phenomenon as a catalyst of socio-cultural evolution, reveals that the notion is a stimulant for improvement and progressive tendency. Hence, the accommodation of conflicts is a prominent objective within all aspects of social planning and intervention’.
What does it take to create an alternative approach within the routine of responding to a conflict?
How can you translate the very complex dimensions of extreme human conditions in conflict and disasters zones to something someone can relate to within their own private space?
The concept of conflict – as the main organisational principle behind the way things are ordered, conflict is not necessarily a negative, destabilising factor, on the contrary can one even benefit from it?
A Continuous State Of Time’ is an initiative curated by Alice Mestriner (Università Iuav di Venezia), with the collaboration of students from the Università Iuav di Venezia, as a parallel event relating to the installation by Ola-Dele Kuku (architect – artist), titled ‘Diminished Capacity’, for the Nigerian pavilion at the15th International Architecture Exhibition Venice Biennale 2016.
‘Diminished Capacity’ was conceived as a reflection of the contemporary global phenomenon of ‘Socio-Cultural Conflicts’, with specific focus on the role of ‘Information / Communication’ and the ‘Mass Media’. The exhibition will be presented as a reaction to the frictions of social communication and the mass media, vis-à-vis the notion of a unitary tendency of society and common values.
The contemporary sociology of mass media communication reveals a consistent presentation of agendas rather than reports which are illustrated by selected interest in particularities, focus and oversight’. Ola-Dele Kuku (architect – artist) The Nigerian Pavilion Venice Biennale 2016.
The panel aims to reflect on the topic of Socio-Cultural Conflict, a theme which is recurrent in the works, lectures and research of Ola-Dele Kuku.
Guest participants include the following:
Ahad Moslami (Artist) – Iran.
Giacomo Carlesso (Poet) – Italy.
Cinzia Didonna (Università Iuav, Venezia)
Alice Mestriner (Università Iuav, Venezia)
Camilla Boemio (Curator, Writer) – Italy.
Students from the Università Iuav, Venezia.
Ola-Dele Kuku (Architect – Artist) Exhibitor for the Nigeria pavilion.
Researchers and academics are encouraged to send their confirmations to participate in the debates. Documentation of the event will be eventually accessible online and will also feature in the book titled ‘Diminished Capacity’ which will be attributed to the Nigerian Pavilion for the 15th International Architecture Exhibition La Biennale di Venezia 2016. Join us on Wednesday, 7th September (16:00 hrs.) at the Nigerian Pavilion in the Spazio Punch, Giudecca 800/o Venezia 30133 for a stimulating discussion.
We shall be looking forward to meeting you in Venice.
Camilla Boemio (curator of ‘Diminished Capacity’ – The Nigerian Pavilion).
‘A Continuous State Of Time’ will be implemented in collaboration with:
Associazione Arte Contemporanea – AAC platform , Rome.
Creative Intelligence Association, Lagos.
Spazio Punch, Giudecca.
Ola-Dele Kuku Projects, Brussels.
© 2016 Nigerian Pavilion – 15th International Architecture Exhibition Venice Biennale 2016.
Ola-Dele Kuku (architect – artist)
15th International Architecture Exhibition
La Biennale di Venezia 2016
(photos: Filippo Peretti – Riccardo Tosetto – Augusto Maurandi)
O l a – D e l e K u k u
15th International Architecture Exhibition la Biennale di Venezia
(26 May – 27 November 2016)
Venue: Spazio PUNCH – Giudecca
Commissioner: Nkanta George Ufot
(Director – International Cultural Relations, Ministry of Information and Culture)
Curator: Camilla Boemio (curator, writer, critic)
Associate Curator: Mr. Koku konu (architect – critic) Lagos, Nigeria.
Project Manager: Mr. Fabrizio Orsini (Co-founder – AAC Platform) Italy.
Exhibition Promotion and Communication: Mrs. Kavita Chellaram
(Director – Arthouse Contemporary Limited) Lagos, Nigeria
Collaborators – Sponsors:
Federal Ministry of Information and Culture, Abuja, Nigeria.
Embassy of the Federal Republic of Nigeria, Rome, Italy.
Arthouse Contemporary Ltd, Lagos, Nigeria.
KU Leuven – St Lucas Architecture, (Int Masters Programme) Gent, Belgium.
LMS Gallery, Brussels, Belgium.
Philippe Laeremans Tribal Art Gallery Brussels, Belgium.
29 May 2014 | by Janantoon
When I first saw one of Ola-Dele Kuku’s furniture pieces, I was immediately captured. This piece was exhibited in the Design Museum Ghent.
Actually, ‘furniture’ is a misleading label. The objects he creates certainly present themselves as furniture, but they do not limit themselves to mere functionality. All his creations boast an unusual playfulness, as if they are made solely for the homo ludens.Last week Ola-Dele showed me his older work Teatro del’Archivio in the Brussels gallery of Philippe Laeremans.
This is a piece of furniture that has the presence of a sculpture, a monumental work, while at the same time it seems like a big toy. Like a little boy with shining eyes one wants to try everything: rotate the big cylinder, the inner cylinder, open every door, open every drawer and search for hidden places.
15.12.13 – 9.03.2014 – C-mine Genk
Conflict is one of the recurrent themes in the work of Ola-Dele Kuku. The architect-artist sees conflict as one of the driving mechanisms in our world, and as a tool to set change in motion. Conflict has played a crucial role since the dawn of creation, just think of the stories of the Big Bang and the paradise of Adam and Eve.
According to Ola-Dele Kuku our world has reached a turning point. The existing hierarchy is at its zenith and is therefore about to fall. We have lost our faith in God, we no longer fear him. Even morality, terms like good and bad and our complete image of society must be revised. Because morality changes depending on the side you are on. And although social media sometimes give the impression that our world is just a village, we are still increasingly concerned with what is happening outside our own front door.
How our world will evolve is still unclear, but there is no doubt that conflict stimulates change. It stands the existing order on its head and inspires innovation. Therefore, according to Kuku, we must learn to use conflict as a tool and learn how to manage it so that a new order can establish itself in nature and in politics.
With Agenda Setting III (the running mean) Kuku presents an installation that consists of open books in different languages. The words written in them refer to contradictions in our knowledge, methods of interpretation and belief, to causes of conflict. The words and texts form, as it were, a sort of pixels of the bigger picture. By not presenting any images Kuku wishes to allow the onlooker the freedom to connect his own visual connotations with the words and reverses the usual process of interpretation of an image. Agenda Setting III (the running mean) thus provides the onlooker with an alternative window on the world.
Conflict & Design With the support of the City of Genk and the Flemish government.
Conflict & Design – the 7th edition of the Design Triennial in Flanders – shows how designers approach conflict situations and the impact their designs can have within our society.
The exhibition provides food for thought about how, in the (near) future, we will be obliged to interact with each other and manage our natural resources in fundamentally different ways.
AGENDA SETTING III – the running mean
Ola-Dele Kuku’s work for this Triennial will be exhibited in the ‘Conflict&Conflict’ section.
Conflict & Conflict gaat over design op het niveau van de ontwrichte samenleving, met andere woorden over conflicten met een grote C. Hoe ga je als designer aan de slag binnen contexten waar genormaliseerde maatschappelijke regels niet meer gelden, zoals in gevangenissen, of in gebieden zoals Palestina, of in de favelas van Brazilië?
Wat wordt er van een ontwerper verwacht wanneer hij of zij geconfronteerd wordt met oorlogssituaties of natuurrampen? Op welke manier kan design tegemoet komen aan specifieke noden en behoeftes? Hoe kan design worden ingezet als katalysator voor het creëren van orde en harmonie in onze samenleving?
Het laatste project dat we op deze Triënnale presenteren gaat over de dood, het ultieme conflict. Hier ligt de focus op de voortdurende strijd van de mens om de dood voor zich uit te schuiven.
15.12.13 – 9.03.2014
EXHIBITION – INVITATION
THE SAGA CONTINUES
Ludwig Trossaert is proud to present the new solo show “The Saga Continues”
in GALERIE LUDWIG TROSSAERT, museumstraat 29, Antwerp
with recent work of Ola-Dele Kuku (Lagos – Los Angeles – Brussels).
For the 2013 Edition of PAD Paris Art + Design, Galerie Flak is pleased to present contemporary design furniture by Nigerian architect and artist Ola-Dele KUKU along with a selection of ancient fine art from Africa, Ocenia and North America.
Photo © Christian Carez
Designer – Architecte – Artiste : Ola-Dele Kuku
Bois d’aulne rouge (Alnus rubra)
Dimensions: 207 cm x 207 cm x 44 cm
The 7th Triennial for Design in Flanders 2013 is an investigation into the social relevance of design and the role and responsibility of designers in our society.
This Triennial is a forum for designers who wish to contribute to this public debate. Their work can be considered as essential as we are forced to live and act differently and to change our attitudes towards our natural resources.
Conflict is a starting point for designers to think about our society, to create content and significance within a design process and to produce sustainable and economically viable products.
in post-conflict rehabilitation
WORKSHOP 3 : workshop team : Ola-Dele Kuku, Martine De Maeseneer, Gideon Boie.
“You cannot see, hear or feel ideas. Design and architecture are thus a way for ideas to materialize “
Until the end of August 2012
‘S P E A K I N G I N V E R N A C U L A R’
Exposition – Présentation du livre
30 Mars – 22 Avril 2012
INAUGURATION : Jeudi 29 Mars 2012
(18.00 – 22.00)
Philippe Laeremans Gallery
27, Rue des Minimes
Pour Ola-Dele Kuku (architecte artiste) l’art traditionnel africain et l’art
moderne et contemporain sont absolument indissociables, compte tenu de
l’influence active et l’apport du premier sur le second. Philippe Laeremans
entame ici sa deuxième confrontation entre l’art traditionnel et l’oeuvre de
l‘artiste, composée de dessin, d’images, de peinture, de collage,
de physique et de chimie.
(Roger Ndéma Kingué)
Ola-Dele Kuku RTBF interview – Passeurs de mondes – 2011